nd [wm 1798]

To the Bank

II Principles

3 Difficulty of concealment

2

13

Copper plate itself.

3. The assortment of appropriate types in the finished state.

4. Do in the unfinished state.

5. The assortment of matrixes corresponding to those types.

6. The assortment of puncheons corresponding to the types and matrixes.

7. The drawing serving as a pattern to work from in engraving the other portrait

on the block of wood.

8. The engraved block of wood itself.
Similar Items
  • Title: [[Copyist’s hand: part of a booklet, comprising]
    Description: [Copyist’s hand: part of a booklet, comprising folios 341 to 357]

    nd [wm 1798]

    11

    §.3. Of Forgery in the way of Fabrication – Application of the Principles.

    [marginal heading:] 5.

    3. Encrease of the difficulty of concealment, in regard to the exercise of each

    Art.-

    3. As to the difficulty thrown in the way of concealment, in regard to the

    productions of the several arts, the concurrence of which has been rendered

    necessary as above. In the present state of things the only production by which

    the criminal enterprize is capable of being betrayed is, in the case of

    fabrication, the engraved plate: and, in the case of alteration, even this

    resource fails. On the proposed plan, the following implement being added to the

    apparatus necessary for bringing into existence the genuine work will be so many

    articles, any one of which, if found in possession of any uncommissioned

    individual, may, if made to receive an appropriate and adequate verbal

    description, be sufficient to afford conclusive evidence of the crime - These

    are –

    1 The Drawing serving as a pattern to work from, in engraving the Portrait on the

    Copper Plate.

    2. The Copper Plate itself.

    3. The assortment of appropriate types, in the finished state.

    4. Do in the unfinished state.

    5. The assortment of matrixes corresponding to those types.

    6. The assortment of Puncheons corresponding to the types & matrixes.

    7. The drawing, serving as a pattern to work from, in engraving the other

    Portrait on the block of wood.

    8. The engraved block of wood itself.

    [marginal heading:] 6

    4 & 5. Care taken, to choose such instruments and productions of art as

    are susceptible of description formed by General words without depending

    4 & 5 – As to the care taken, in the choice of the subsequent instruments

    or productions in question, that they shall be such as are susceptible of verbal

    description precise enough for the purpose of legal prohibition, and in the

    adapting the description to that purpose.

    Note
  • Title: [[Copyist’s hand: part of a booklet, comprising]
    Description: [Copyist’s hand: part of a booklet, comprising folios 341 to 357]

    nd [wm 1798]

    9

    §.3. Of Forgery in the way of Fabrication – Application of the Principles.

    the purpose of occasional trial the art of the Copper-Plate Printer can never be

    altogether strange:) to which may or may not be added, as an art distinct from

    that of engraving letters, the art of engraving figures, in respect of the

    emblematical figure, which presents itself at the beginning of the writing

    contained in a Bank

    Note.

    [marginal heading:] 3 –

    2 – on the proposed plan –

    In the framing of a Bank Note upon the plan proposed, the concurrence of the

    following distinct arts would be rendered necessary viz:

    1. The art of the Engraver of Portraits on Copper.

    2. The art of the Letter Founder

    3. The art of the Engraver of the Puncheons for the making of the moulds or

    matrixes for the letters. –

    4. The art of the maker of the moulds or matrixes

    5. The art of the Finisher of the Letters when cast. –

    6. The art of the Printer who prints the Letter-press. –

    7. The art of the Engraver, who Engraves that one of the two portraits which is

    to be engraved on wood: a branch of engraving so distinct from that of the

    engraver on Copper, that a perfect master of the one may be comparatively very

    inexpert in the other. –

    8. The art of the Draughtsman, who makes the Draughts preparatory to the

    engraving of the two Portraits.(a)

    2.

    Note

    (a) I will not take upon me to aver the impossibility of executing by

    Letter-press, what shall be taken for Copper-plate: but it will be utterly

    impossible to execute, by the common mode of engraving Copper-plate, what shall

    be taken for Letter-press: at least, if the impression made with the types be

    made deep, in all the copies, with this view. By engraving the whole body of

    letter-press together, as it were upon one large Puncheon, the arts of the maker

    of the matrixes, the founder, and the finisher, of
  • Title: [nd [wm 1798] To the Bank II]
    Description: nd [wm 1798]

    To the Bank

    II. Principles

    1. Multiplicity

    2

    10

    offender, it results from the improbability that so many distinct branches of

    skill shall be united in one and the same hand.

    In the framing of a Bank note upon the present plan, the number of concurrent

    arts that may thus be stated as distinct is but two, or at most but three – viz:

    The art of the Papermaker: 2. The art of the engraver of writing on Copper

    plate; (to whom, were it only for the purpose of occasional trial, the art of

    the Copper plate Printer can never be altogether strange) to which may or may

    not be added, as an art distinct from that of engraving letters, the art of

    engraving figures, in respect of the emblematical figure, which presents itself

    at the beginning of the writing contained in a Bank Note.

    In the framing of a Bank Note upon the plan proposed, the concurrence of the

    following additional distinct arts would be rendered necessary, viz:

    1. The art of the engraver of portraits on Copper.+

    2. The art of the Letter-Founder –

    3. The art of the engraver of the punchions for the making of the moulds or

    matrixes for the Letters –

    4. The art of the maker of the moulds or matrixes.

    5. The art of the finisher of the Letters when cast.

    6. The art of the Printer who prints the Letterpress.

    7. The art of the engraver who engraves that one of the two portraits which is to

    be engraved on wood: a branch of engraving so distinct from that of the engraver

    on copper that a perfect master of the one, may be very /comparatively/ inexpert

    in the other.

    8. The art of the Draughtsman who makes the Draughts preparatory to the engraving

    of the his[?] portrait.(a)

    + Reference onwards in the margin